Disruption in the Arts : (Record no. 535418)
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000 -LEADER | |
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fixed length control field | 06673nam a22007455i 4500 |
001 - CONTROL NUMBER | |
control field | 9783110580082 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | DE-B1597 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20200803184536.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr || |||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 190828s2018 gw fo d z eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9783110580082 |
024 7# - OTHER STANDARD IDENTIFIER | |
Standard number or code | 10.1515/9783110580082 |
Source of number or code | doi |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (DE-B1597)490070 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1049627508 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | DE-B1597 |
Language of cataloging | eng |
Transcribing agency | DE-B1597 |
Description conventions | rda |
041 0# - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE | |
MARC country code | gw |
ISO country code | DE |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | NX650.P6 |
Item number | D57 2018 |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | LIT000000 |
Source | bisacsh |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 700.1/03 |
Edition number | 23 |
245 00 - TITLE STATEMENT | |
Title | Disruption in the Arts : |
Remainder of title | Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / |
Statement of responsibility, etc | Lars Koch, Tobias Nanz, Johannes Pause. |
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R) | |
Place of production, publication, distribution, manufacture | Berlin ; |
-- | Boston : |
Name of producer, publisher, distributor, manufacturer | De Gruyter, |
Date of production, publication, distribution, manufacture, or copyright notice | [2018] |
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R) | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2018 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (396 p.) |
336 ## - Content Type (R) | |
Content type term (R) | text |
Content type code (R) | txt |
Source (NR) | rdacontent |
337 ## - Media Type (R) | |
Media type term (R) | computer |
Media type code (R) | c |
Source (NR) | rdamedia |
338 ## - Carrier Type (R) | |
Carrier type term (R) | online resource |
Carrier type code (R) | cr |
Source (NR) | rdacarrier |
347 ## - | |
-- | text file |
-- | |
-- | rda |
490 0# - SERIES STATEMENT | |
Series statement | Culture & Conflict ; |
Volume number/sequential designation | 11 |
505 00 - FORMATTED CONTENTS NOTE | |
Title | Frontmatter -- |
-- | Table of contents -- |
-- | Disruption in the Arts: Prologue / |
Statement of responsibility | Koch, Lars / Nanz, Tobias / Pause, Johannes -- |
Title | I. Conceptual Approaches -- |
-- | Aesthetic experiments: On the Event-Like Character and the Function of Disruptions in the Arts / |
Statement of responsibility | Koch, Lars / Nanz, Tobias -- |
Title | Scandalous Expectations: Second Order Scandals in Modern Society / |
Statement of responsibility | Mutter, Moritz -- |
Title | Ekstasis and Paradoxa. The Miracle as Disruption / |
Statement of responsibility | Grizelj, Mario -- |
Title | Imagined Scenarios of Disruption. A Concept / |
Statement of responsibility | Koch, Lars / Nanz, Tobias / Pause, Johannes -- |
Title | II. Media -- |
-- | Disruptive Storytelling. Notes on E.T.A. Hoffmann / |
Statement of responsibility | Prokić, Tanja -- |
Title | Perturbing the Reader: The Riddle-character of Art and the Dialectical Impact of Contemporary Literature (Adorno, Goetz, Kracht) / |
Statement of responsibility | Kleinschmidt, Christoph -- |
Title | Expansions of the Instant: Disruptions of Time in Contemporary German Literature / |
Statement of responsibility | Pause, Johannes -- |
Title | III. Body -- |
-- | Interferences: Posthuman Perspectives on Early Electronic Music / |
Statement of responsibility | Schürmer, Anna -- |
Title | The Dis/rupture of Film as Skin: Jean-Luc Nancy, Claire Denis, and Trouble Every Day / |
Statement of responsibility | Eschkötter, Daniel -- |
Title | "They Starve to death, but who dares ask why?": Steve McQueen's Film Hunger / |
Statement of responsibility | Nusser, Tanja -- |
Title | Writing Aphasia: Intermedial Observation of Disrupted Language in Wolfgang Herrndorf's Arbeit und Struktur / |
Statement of responsibility | Heyne, Elisabeth -- |
Title | IV. Power -- |
-- | The Red Telephone: A Hybrid Object of the Cold War / |
Statement of responsibility | Nanz, Tobias -- |
Title | Christoph Schlingensief's Image Disruption Machine / |
Statement of responsibility | Koch, Lars -- |
Title | Citizen n-1: Laura Poitras's Citizenfour as a Reparative Reading of a Paranoid World / |
Statement of responsibility | Kämpf, Katrin M. / Rogers, Christina -- |
Title | V. Archive -- |
-- | Notes on Secondary Drama / |
Statement of responsibility | Jelinek, Elfriede -- |
Title | Disturbance in the Intermediate: Secondary Drama as a Parasite / |
Statement of responsibility | Kovacs, Teresa -- |
Title | Signal-to-Noise Ratio / |
Statement of responsibility | Kittler, Friedrich -- |
Title | Disrupted Arts and Marginalized Humans: A Commentary on Friedrich Kittler's "Signal-to-Noise Ratio" / |
Statement of responsibility | Nanz, Tobias -- |
Title | Contributors -- |
-- | Index of Subjects -- |
-- | Index of Persons |
506 0# - RESTRICTIONS ON ACCESS NOTE | |
Terms governing access | Open Access |
Uniform Resource Identifier | <a href="https://purl.org/coar/access_right/c_abf2">https://purl.org/coar/access_right/c_abf2</a> |
Standardized terminology for access restriction | unrestricted online access |
Source of term | star |
520 ## - SUMMARY, ETC. | |
Summary, etc | The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the 'narcissistic' exhibition of art as art, but also with the creation of a new common horizon of experience. They combine the analysis of paradigmatic works, procedures and actions with reference to theoretical debates in the fields of literature, media and art of the twentieth and twenty-first centuries. The essay-collection shows how textual, visual, auditive or performative strategies disclose their own ways of functioning, intervene in automated processes of reception and thus work on stimulating a sense of political possibilities. The editors acknowledge support from the European Union's Seventh Framework Program (FP 7/ 2007-2013), ERC grant agreement no. 312454. |
536 ## - FUNDING INFORMATION NOTE | |
Text of note | funded by European Research Council (ERC) |
538 ## - SYSTEM DETAILS NOTE | |
System details note | Mode of access: Internet via World Wide Web. |
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE | |
Terms governing use and reproduction | This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: |
Uniform Resource Identifier | <a href="https://creativecommons.org/licenses/by-nc-nd/4.0 ">https://creativecommons.org/licenses/by-nc-nd/4.0 </a> |
-- | <a href="https://www.degruyter.com/dg/page/open-access-policy">https://www.degruyter.com/dg/page/open-access-policy</a> |
546 ## - LANGUAGE NOTE | |
Language note | In English. |
588 0# - | |
-- | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019) |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Arts |
General subdivision | Political aspects. |
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Disruption. |
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | arts. |
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | societal self-description. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
-- | (DE-601)10550372X |
-- | (DE-588)4157063-7 |
Topical term or geographic name as entry element | Gesellschaftsbild |
Source of heading or term | gnd |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
-- | (DE-601)105653446 |
-- | (DE-588)4136977-4 |
Topical term or geographic name as entry element | Das @Politische |
Source of heading or term | gnd |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
-- | (DE-601)105681628 |
-- | (DE-588)4133232-5 |
Topical term or geographic name as entry element | Störung |
Source of heading or term | gnd |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
-- | (DE-601)106257315 |
-- | (DE-588)4033422-3 |
Topical term or geographic name as entry element | Künste |
Source of heading or term | gnd |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | LITERARY CRITICISM / General. |
Source of heading or term | bisacsh |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Koch, Lars, |
Relator term | editor. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Nanz, Tobias, |
Relator term | editor. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Pause, Johannes , |
Relator term | editor. |
773 08 - HOST ITEM ENTRY | |
Display text | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE COMPLETE 2018 English |
International Standard Book Number | 9783110604252 |
773 08 - HOST ITEM ENTRY | |
Display text | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE COMPLETE 2018 |
International Standard Book Number | 9783110603255 |
Other item identifier | ZDB-23-DGG |
773 08 - HOST ITEM ENTRY | |
Display text | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE Literary, Cultural and Area Stud. 2018 English |
International Standard Book Number | 9783110604184 |
773 08 - HOST ITEM ENTRY | |
Display text | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE Literary, Cultural and Area Studies 2018 |
International Standard Book Number | 9783110603187 |
Other item identifier | ZDB-23-DKU |
776 0# - ADDITIONAL PHYSICAL FORM ENTRY | |
Qualifying information | EPUB |
International Standard Book Number | 9783110579758 |
776 0# - ADDITIONAL PHYSICAL FORM ENTRY | |
Qualifying information | |
International Standard Book Number | 9783110565867 |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://doi.org/10.1515/9783110580082">https://doi.org/10.1515/9783110580082</a> |
Public note | Open Access |
856 42 - ELECTRONIC LOCATION AND ACCESS | |
Materials specified | Cover |
Uniform Resource Identifier | <a href="https://www.degruyter.com/cover/covers/9783110580082.jpg">https://www.degruyter.com/cover/covers/9783110580082.jpg</a> |
912 ## - | |
-- | 978-3-11-060418-4 EBOOK PACKAGE Literary, Cultural and Area Stud. 2018 English |
-- | 2018 |
912 ## - | |
-- | 978-3-11-060425-2 EBOOK PACKAGE COMPLETE 2018 English |
-- | 2018 |
912 ## - | |
-- | GBV-deGruyter-alles |
912 ## - | |
-- | ZDB-23-DGG |
-- | 2017 |
912 ## - | |
-- | ZDB-23-DKU |
-- | 2018 |
912 ## - | |
-- | ZDB-23-GOA |
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