Digitaler Realismus : (Record no. 536793)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04547nam a22007455i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 9783839409435 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | DE-B1597 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200803184613.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
| fixed length control field | m|||||o||d|||||||| |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr || |||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 190615s2015 gw fo d z ger d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9783839409435 |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.14361/9783839409435 |
| Source of number or code | doi |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (DE-B1597)461528 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1013957421 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)958037037 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DE-B1597 |
| Language of cataloging | eng |
| Transcribing agency | DE-B1597 |
| Description conventions | rda |
| 041 0# - LANGUAGE CODE | |
| Language code of text/sound track or separate title | ger |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE | |
| MARC country code | gw |
| ISO country code | DE |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC052000 |
| Source | bisacsh |
| 084 ## - OTHER CLASSIFICATION NUMBER | |
| Classification number | AP 45400 |
| Source of number | rvk |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Richter, Sebastian, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Digitaler Realismus : |
| Remainder of title | Zwischen Computeranimation und Live-Action. Die neue Bildästhetik in Spielfilmen / |
| Statement of responsibility, etc | Sebastian Richter. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1. Aufl. |
| 264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R) | |
| Place of production, publication, distribution, manufacture | Bielefeld : |
| Name of producer, publisher, distributor, manufacturer | transcript-Verlag, |
| Date of production, publication, distribution, manufacture, or copyright notice | [2015] |
| 264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R) | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2008 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource |
| 336 ## - Content Type (R) | |
| Content type term (R) | text |
| Content type code (R) | txt |
| Source (NR) | rdacontent |
| 337 ## - Media Type (R) | |
| Media type term (R) | computer |
| Media type code (R) | c |
| Source (NR) | rdamedia |
| 338 ## - Carrier Type (R) | |
| Carrier type term (R) | online resource |
| Carrier type code (R) | cr |
| Source (NR) | rdacarrier |
| 347 ## - | |
| -- | text file |
| -- | |
| -- | rda |
| 490 0# - SERIES STATEMENT | |
| Series statement | Film |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Frontmatter -- |
| -- | INHALT -- |
| -- | PROLOG -- |
| -- | VORSPANN -- |
| -- | EINLEITUNG -- |
| -- | GRUNDZÜGE EINER BILDWISSENSCHAFTLICHEN MEDIENANALYSE -- |
| -- | AN DER BASIS DER BILDER -- |
| -- | FOTOGRAFISCHE UND COMPUTERGESTÜTZTE BILDPRODUKTION -- |
| -- | KINEMATOGRAFISCHE BEWEGUNGSBILDER -- |
| -- | VIDEOGRAFISCHE UND DIGITALE BEWEGUNGSBILDER -- |
| -- | KONSTRUIERTE BEWEGUNGSBILDER -- |
| -- | HYBRIDE BEWEGUNGSBILDER -- |
| -- | REALISTISCHE BILDWELTEN JENSEITS DES KAMERABLICKS -- |
| -- | TECHNIK UND ÄSTHETIK HYBRIDER BEWEGUNGSBILDER -- |
| -- | UNUNTERSCHEIDBARE BILDEBENEN: DIGITALES COMPOSITING -- |
| -- | KONTROLLIERTE PERSPEKTIVEN: VIRTUELLE KAMERA -- |
| -- | GESPIELTE ANIMATIONEN: MOTION CAPTURE -- |
| -- | DIGITALE DOPPELGÄNGER UND GEKLONTE SCHAUSPIELER -- |
| -- | DIGITALER REALISMUS -- |
| -- | HERSTELLUNGSLOGIK, STIL UND WAHRNEHMUNG HYBRIDER BEWEGUNGSBILDER -- |
| -- | AUSBLICK: HYBRIDISIERUNG UND WIRKLICHKEITSBEZUG -- |
| -- | ABSPANN -- |
| -- | REALISMUS UND REALISMUSEFFEKTE: EINE ÜBERSICHT -- |
| -- | ABBILDUNGEN -- |
| -- | FILME -- |
| -- | LITERATUR -- |
| -- | Backmatter |
| 506 0# - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Open Access |
| Uniform Resource Identifier | <a href="https://purl.org/coar/access_right/c_abf2">https://purl.org/coar/access_right/c_abf2</a> |
| Standardized terminology for access restriction | unrestricted online access |
| Source of term | star |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Digitale Doppelgänger und animierte Hollywoodstars, Fahrten durch Nervenbahnen und Hautporen, unmögliche Kameraperspektiven und Bildräume, die sich unendlich fortsetzen - in aktuellen Spielfilmen sind gefilmte Bildanteile und Computeranimationen oft ununterscheidbar miteinander verschmolzen. Eine neue Kategorie von »hybriden Bewegungsbildern« ist entstanden, die eine Bildästhetik jenseits des Effekt-Kinos hervorgebracht hat. Ihre Inszenierungsstrategien unterwandern unsere Vorstellung realistischer Darstellungen - sie beeinflussen unsere Wahrnehmung nachhaltig und prägen unsere Sicht auf die Welt mit. Das Buch verbindet die Darstellung der technischen Voraussetzungen dieser neuen Bildwelten mit einer eingehenden Untersuchung ihrer ästhetischen Implikationen. Es schließt damit eine Lücke in der wissenschaftlichen Auseinandersetzung mit der Digitalisierung der Bildproduktion. |
| 538 ## - SYSTEM DETAILS NOTE | |
| System details note | Mode of access: Internet via World Wide Web. |
| 540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE | |
| Terms governing use and reproduction | This eBook is made available Open Access under a CC BY-NC-ND 3.0 license: |
| Uniform Resource Identifier | <a href="https://creativecommons.org/licenses/by-nc-nd/3.0 ">https://creativecommons.org/licenses/by-nc-nd/3.0 </a> |
| -- | <a href="http://www.transcript-verlag.de/open-access-bei-transcript">http://www.transcript-verlag.de/open-access-bei-transcript</a> |
| 546 ## - LANGUAGE NOTE | |
| Language note | In German. |
| 588 0# - | |
| -- | Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019) |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Animation. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Bild. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Bildwissenschaft. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Digital Media. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Digitale Medien. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Image. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Media Aesthetics. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Media Studies. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Media. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Medien. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Medienwissenschaft. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Medienästhetik. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Neue Medien. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Realismus. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Visual Studies. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| -- | (DE-601)104559683 |
| -- | (DE-588)4017102-4 |
| Topical term or geographic name as entry element | Film |
| Source of heading or term | gnd |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| -- | (DE-601)104738103 |
| -- | (DE-588)4199710-4 |
| Topical term or geographic name as entry element | Computeranimation |
| Source of heading or term | gnd |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| -- | (DE-601)104755857 |
| -- | (DE-588)4142484-0 |
| Topical term or geographic name as entry element | Animationsfilm |
| Source of heading or term | gnd |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| -- | (DE-601)105624586 |
| -- | (DE-588)4140881-0 |
| Topical term or geographic name as entry element | Filmästhetik |
| Source of heading or term | gnd |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| -- | (DE-601)105712418 |
| -- | (DE-588)4129090-2 |
| Topical term or geographic name as entry element | Schauspielkunst |
| Source of heading or term | gnd |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | SOCIAL SCIENCE / Media Studies. |
| Source of heading or term | bisacsh |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://doi.org/10.14361/9783839409435">https://doi.org/10.14361/9783839409435</a> |
| Public note | Open Access |
| 856 42 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Cover |
| Uniform Resource Identifier | <a href="https://www.degruyter.com/cover/covers/9783839409435.jpg">https://www.degruyter.com/cover/covers/9783839409435.jpg</a> |
| 912 ## - | |
| -- | GBV-deGruyter-alles |
| 912 ## - | |
| -- | ZDB-23-GOA |
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