From Song to Book : The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry / Sylvia Huot.Material type: BookPublisher: Ithaca, NY : Cornell University Press, Copyright date: ©1987Description: 1 online resource (390 p.).Content type: text Media type: computer Carrier type: online resourceISBN: 9781501746673.Subject(s): Books -- France -- History -- 400-1450 | French poetry -- To 1500 -- History and criticism | French poetry -- To 1500 -- Manuscripts | Manuscripts, French -- History | Manuscripts, Medieval -- France -- History | Narrative poetry, French -- History and criticism | Poetry -- Editing | Scriptoria -- France -- History | Songs, French -- History and criticism | Poetry & Criticism | POETRY / European / FrenchOnline resources: Open Access | Cover
Frontmatter -- Contents -- Acknowledgments / Huot, Sylvia -- Introduction -- Part One: On the Nature of the Book in the Thirteenth and Fourteenth Centuries -- Part Two: Lyricism and the Book in the Thirteenth Century -- Part Three: Lyricism and the Book in the Fourteenth Century -- Conclusion -- Appendix A: The Rubrication of Guillaume de Lorris in MS Bibl. Nat. fr. 378 -- Appendix B: Table of Miniatures in Selected Texts by Machaut, MSS Bibl. Nat. fr. 1584 and 1586 -- Appendix C : Excerpt from an Unedited Volume of Le Roman de Perceforest, MS Bibl. Nat. fr. 346 -- Bibliography of Works Cited -- Index
Open Access https://purl.org/coar/access_right/c_abf2 unrestricted online access star
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Mode of access: Internet via World Wide Web.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jan 2020)