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Russians Abroad : Literary and Cultural Politics of Diaspora (1919-1939) / Greta Slobin; Nancy Condee, Katerina Clark, Mark Slobin, Dan Slobin.

By: Contributor(s): Material type: TextTextLanguage: English Series: Real Twentieth CenturyPublisher: Boston, MA : Academic Studies Press, [2017]Copyright date: ©2013Description: 1 online resource (260 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781618116994
Subject(s): Online resources:
Contents:
Frontmatter -- Table of Contents -- Foreword -- How This Book Came About -- Introduction: The October Split and Its Consequences -- Part I. Defining Émigré Borders and Missions in the Twenties -- Chapter IA. Border-Crossings in Postrevolutionary Exile (1919-1924): The Embrace of Shklovskian "Estrangement" -- Chapter IB. Language, History, Ideology: Tsvetaeva, Remizov -- Chapter IC. Double Exposure in Exile Writing: Khodasevich, Teffi, Bunin, Nabokov -- Part II. Diaspora: The Classical Literary Canon and Its Evolutions -- Chapter IIA. The Battle for the Modernists' Gogol: Bely and Remizov -- Chapter IIB. Sirin/Dostoevsky and the Question of Russian Modernism in Emigration -- Chapter IIC. Russia Abroad Champions Turgenev's Legacy -- Part III. Modernism and the Diaspora's Quest for Literary Identity -- Chapter IIIA. Modernism/Modernity in the Postrevolutionary Diaspora -- Chapter IIIB. Double Consciousness and Bilingualism in Aleksei Remizov's Story "The Industrial Horseshoe" and the Literary Journal Chisla -- Part IV. Epilogue: The First-Wave Diaspora in the Post-War Years -- Chapter IVA. The Shift from the Old World to the New -- Chapter IVB. "Homecoming" -- Greta Slobin: Bio-Bibliography -- List of Works Cited -- Index
Title is part of eBook package: ASP eBook Package Backlist 2008-2015Summary: This book presents an array of perspectives on the vivid cultural and literary politics that marked the period immediately after the October Revolution of 1917, when Russian writers had to relocate to Berlin and Paris under harsh conditions. Divided amongst themselves and uncertain about the political and artistic directions of life in the diaspora, these writers carried on two simultaneous literary dialogues: with the emerging Soviet Union and with the dizzying world of European modernism that surrounded them in the West. The book's chapters address generational differences, literary polemics and experimentation, the heritage of pre-October Russian modernism, and the fate of individual writers and critics, offering a sweeping view of how exiles created a literary diaspora. The discussion moves beyond Russian studies to contribute to today's broad, cross-cultural study of the creative side of political and cultural displacement.
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Frontmatter -- Table of Contents -- Foreword -- How This Book Came About -- Introduction: The October Split and Its Consequences -- Part I. Defining Émigré Borders and Missions in the Twenties -- Chapter IA. Border-Crossings in Postrevolutionary Exile (1919-1924): The Embrace of Shklovskian "Estrangement" -- Chapter IB. Language, History, Ideology: Tsvetaeva, Remizov -- Chapter IC. Double Exposure in Exile Writing: Khodasevich, Teffi, Bunin, Nabokov -- Part II. Diaspora: The Classical Literary Canon and Its Evolutions -- Chapter IIA. The Battle for the Modernists' Gogol: Bely and Remizov -- Chapter IIB. Sirin/Dostoevsky and the Question of Russian Modernism in Emigration -- Chapter IIC. Russia Abroad Champions Turgenev's Legacy -- Part III. Modernism and the Diaspora's Quest for Literary Identity -- Chapter IIIA. Modernism/Modernity in the Postrevolutionary Diaspora -- Chapter IIIB. Double Consciousness and Bilingualism in Aleksei Remizov's Story "The Industrial Horseshoe" and the Literary Journal Chisla -- Part IV. Epilogue: The First-Wave Diaspora in the Post-War Years -- Chapter IVA. The Shift from the Old World to the New -- Chapter IVB. "Homecoming" -- Greta Slobin: Bio-Bibliography -- List of Works Cited -- Index

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

This book presents an array of perspectives on the vivid cultural and literary politics that marked the period immediately after the October Revolution of 1917, when Russian writers had to relocate to Berlin and Paris under harsh conditions. Divided amongst themselves and uncertain about the political and artistic directions of life in the diaspora, these writers carried on two simultaneous literary dialogues: with the emerging Soviet Union and with the dizzying world of European modernism that surrounded them in the West. The book's chapters address generational differences, literary polemics and experimentation, the heritage of pre-October Russian modernism, and the fate of individual writers and critics, offering a sweeping view of how exiles created a literary diaspora. The discussion moves beyond Russian studies to contribute to today's broad, cross-cultural study of the creative side of political and cultural displacement.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC 4.0 license:

https://creativecommons.org/licenses/by-nc/4.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)

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