Frontmatter -- Table of Contents -- Preface / Helff, Sissy / Michels, Stefanie -- Re-framing Photography - Some Thoughts / Michels, Stefanie -- African Photography in the Atlantic Visualscape / Schneider, Jürg -- Elective Affinities? / Jäger, Jens -- How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes / Azamede, Kokou -- Presentness, Memory and History: Thabiso Sekgala, "Homeland" / Gutberlet, Marie-Hélène -- On the Circulation of Colonial Pictures / Hahn, Hans Peter -- Portraits of Distant Worlds / Kuba, Richard -- Reflexions on the Photographic Archive in the Humanities / Prussat, Margrit -- Re-imagining the Family Album through Literary Adaptation / Waterman, Sally -- Public Rites/Private Memories / Ruchatz, Jens -- Contributors

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:

https://creativecommons.org/licenses/by-nc-nd/4.0

http://www.transcript-verlag.de/open-access-bei-transcript

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)