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Remy Belleau et l'art de guérir / Jean Braybrook.

By: Material type: TextTextLanguage: French Publisher: Warsaw ; Berlin : De Gruyter Open Poland, [2013]Copyright date: ©2013Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9788376560205
Subject(s): Additional physical formats: No titleOther classification:
  • IF 3434
Online resources:
Contents:
Frontmatter -- Contents -- Note -- Introduction -- Chapitre 1 Le «baston de berger» et la colonne triomphale -- Chapitre 2 «Le Mal d'Amours» -- Chapitre 3 «Les Amours de David et de Bersabee» -- Chapitre 4 L'Humour: La Reconnue -- Chapitre 5 La Poésie macaronique: le Dictamen metrificum -- Chapitre 6 Les Pierres précieuses -- Conclusion -- Bibliographie -- Index
Title is part of eBook package: E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2013Title is part of eBook package: E-BOOK PAKET LITERATURWISSENSCHAFT 2013Summary: This book fills a gap in the market as it ranges over the whole of Belleau's work, rather than concentrating solely on La Bergerie or Les Amours et nouveaux eschanges des pierres precieuses. It starts by asking why a group of doctors produced a French edition of Belleau in 1945. It moves on to consider sickness and healing in Belleau's work, studying the comedy, La Reconnue, and the macaronic poem, the Dictamen metrificum, alongside the better-known texts. Throughout, it emphasizes the importance of the political and religious background of the time. A miraculous stick that Belleau describes in La Bergerie is seen in the first chapter of L'Art de guérir as a symbol of therapeutic powers. The second chapter considers love and the poet's debt to other writers, such as Sappho or Ficino (Belleau was erudite and eclectic). Les Amours de David et de Bersabee is the focal point of Chapter 3; once again one sees the corrosive powers of love, and the ability of poetry and music to transform suffering into beauty. Mention is made of the various academies, which were important in Belleau's development. Chapter 4 traces the motif of illness in La Reconnue and links it to religious turmoil. This connection is even clearer in the Dictamen metrificum de bello huguenotico, a strange, savagely humorous text (Chapter 5). Chapter 6 concerns Belleau's poems on precious stones, surely the pinnacle of his achievement. In those, therapy is an explicitly articulated motif, while religious faith is crucial. The conclusion suggests parallels with writers such as Saint Augustine, Rabelais, Du Bellay and Montaigne.
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Frontmatter -- Contents -- Note -- Introduction -- Chapitre 1 Le «baston de berger» et la colonne triomphale -- Chapitre 2 «Le Mal d'Amours» -- Chapitre 3 «Les Amours de David et de Bersabee» -- Chapitre 4 L'Humour: La Reconnue -- Chapitre 5 La Poésie macaronique: le Dictamen metrificum -- Chapitre 6 Les Pierres précieuses -- Conclusion -- Bibliographie -- Index

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

This book fills a gap in the market as it ranges over the whole of Belleau's work, rather than concentrating solely on La Bergerie or Les Amours et nouveaux eschanges des pierres precieuses. It starts by asking why a group of doctors produced a French edition of Belleau in 1945. It moves on to consider sickness and healing in Belleau's work, studying the comedy, La Reconnue, and the macaronic poem, the Dictamen metrificum, alongside the better-known texts. Throughout, it emphasizes the importance of the political and religious background of the time. A miraculous stick that Belleau describes in La Bergerie is seen in the first chapter of L'Art de guérir as a symbol of therapeutic powers. The second chapter considers love and the poet's debt to other writers, such as Sappho or Ficino (Belleau was erudite and eclectic). Les Amours de David et de Bersabee is the focal point of Chapter 3; once again one sees the corrosive powers of love, and the ability of poetry and music to transform suffering into beauty. Mention is made of the various academies, which were important in Belleau's development. Chapter 4 traces the motif of illness in La Reconnue and links it to religious turmoil. This connection is even clearer in the Dictamen metrificum de bello huguenotico, a strange, savagely humorous text (Chapter 5). Chapter 6 concerns Belleau's poems on precious stones, surely the pinnacle of his achievement. In those, therapy is an explicitly articulated motif, while religious faith is crucial. The conclusion suggests parallels with writers such as Saint Augustine, Rabelais, Du Bellay and Montaigne.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access. Unless otherwise specified individually in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:

https://creativecommons.org/licenses/by-nc-nd/3.0

https://www.degruyter.com/dg/page/open-access-policy

In French.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)

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