TY  - BOOK
AU  - Klein,Gabriele
AU  - Noeth,Sandra
TI  - Emerging Bodies: The Performance of Worldmaking in Dance and Choreography 
T2  - TanzScripte
SN  - 9783839415962
U1  - 306.4846 
PY  - 2014///]
CY  - Bielefeld : 
PB  - transcript-Verlag, 
KW  - Arts
KW  - Body
KW  - Choreography
KW  - Cultural Theory
KW  - Gender
KW  - Imagination
KW  - Interculturalitity
KW  - Media
KW  - Psychoanalysis
KW  - Theatre Studies
KW  - PERFORMING ARTS / Dance / General
KW  - bisacsh
N1  -  Frontmatter --; Contents --; Introduction /; Klein, Gabriele / Noeth, Sandra --; SOCIAL REALMS --; Dancing Politics: Worldmaking in Dance and Choreography /; Klein, Gabriele --; Between Intervention and Utopia: Dance Politics /; Martin, Randy --; Dance and Work: The Aesthetic and Political Potential of Dance /; Kunst, Bojana --; The Collective That Isn't One /; Noeth, Sandra --; HYBRID SPHERES --; Jérôme Bel and Myself: Gender and Intercultural Collaboration /; Leigh Foster, Susan --; Transnationalism and Contemporary African Dance: Faustin Linyekula /; Sörgel, Sabine --; Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums /; Rein, Anette --; The Bluff of Contemporary Dance /; Gintersdorfer, Monika / Klein, Gabriele --; ART WORLDS --; Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess /; Brandstetter, Gabriele --; Autobiography and the Coulisses: Narrator, Dancer, Spectator /; Townsend, Julie --; Dance Images. Dance Films as an Example of the Representation and Production of Movement /; Hickethier, Knut --; Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up /; Diers, Michael --; DIGITAL WORLDS - PROCESSING BODIES --; Gesture Capture: Paradigms in Interactive Music/ Dance Systems /; Bevilacqua, Frédéric / Schnell, Norbert / Fdili Alaoui, Sarah --; Tables of Weights and Measures: Architecture and the Synchronous Objects Project /; Turk, Stephen --; Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas /; Zuniga Shaw, Norah --; WORKING PRINCIPLES --; Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds /; Gehm, Sabine / Wilcke, Katharina Von --; Situational Worlds. Complicity as a Model of Collaboration /; Ziemer, Gesa --; Protocols of Encounter: On Dance Dramaturgy /; Noeth, Sandra --; Notes on Contributors --;  Backmatter; Open Access
N2  - The concept of »worldmaking« is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day
UR  - https://doi.org/10.14361/transcript.9783839415962
UR  - https://www.degruyter.com/cover/covers/9783839415962.jpg
ER  -