Coëgnarts, Maarten,  <br/><br/>
Film as Embodied Art :  Bodily Meaning in the Cinema of Stanley Kubrick / 
Maarten Coëgnarts. 
 - Boston, MA :   Academic Studies Press,   [2019]  ©2019 
 - 1 online resource (264 p.) 
<br/><br/> Frontmatter --   Contents --   List of Illustrations --   Acknowledgments --   Introduction. The Theoretical Context of This Study --   Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films --   Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies --   Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting --   Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick --   Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer --   Appendix --   Glossary --   Filmography --   Discography --   Bibliography --   Index 
<br/><br/> Open Access  https://purl.org/coar/access_right/c_abf2 
<br/><br/> How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity. 
<br/><br/><br/>Mode of access: Internet via World Wide Web. 
<br/><br/><br/>This eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:  
<br/><br/><br/>In English. 
<br/><br/><label>ISBN: </label>9781644691137 
<br/><br/><label>Standard No.: </label>10.1515/9781644691137  doi 
<br/><br/><label>Subjects--Topical Terms: </label><br/>2001: A Space Odyssey.<br/>20th century film.<br/>Barry Lyndon.<br/>Eyes Wide Shut.<br/>Paths of Glory.<br/>Stanley Kubrick;film;film studies.<br/>The Shining.<br/>aesthetics.<br/>artistic intention.<br/>cinema studies.<br/>cognitive film theory.<br/>cognitive linguistics.<br/>communication.<br/>directing.<br/>embodied cognitive science.<br/>embodied meaning.<br/>evolutionary theory.<br/>film as language.<br/>film scores.<br/>film semiotics.<br/>filmmaking.<br/>metaphor.<br/>methodology.<br/>music.<br/>perception.<br/>philosophy.<br/>psychoanalysis.<br/>screenwriting.<br/>semiotics.<br/>twentieth century film.<br/>PERFORMING ARTS / Film & Video / History & Criticism.