Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 / 
Samuel Sieber, Sigrid Schade, Kornelia Imesch. 
 - 1. Aufl. 
 - Bielefeld :   transcript-Verlag,   [2016]  ©2016 
 - 1 online resource 
 - MedienAnalysen ;  17 .
<br/><br/> Frontmatter --   Contents --   Introduction: Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 --   PART 1: CONSTRUCTIONS OF CULTURAL IDENTITIES IN NEWSREEL --   The Politics of Archives /   The Creation of Cultural Identity through Weekly Newsreels in Germany in the 1950s /   West German State Newsreels in the Period of the Economic Miracle 1950-1964 /   The Visual Memory of the Cold War /   Art Exhibitions through Newsreels /   PART 2: ART AND CULTURE IN NEWSREEL, CINEMA, AND TELEVISION --   Jean Tinguely & Le Corbusier in Swiss Weekly Film Newsreels and Television /   Fiction and Newsreel Documentary in Godard's Cinema /   Between Migration and Integration /   Re-marking of Differences: Culture Television and Art Interplaying /   Constructing an Emancipated Culture of Art Spectatorship? /   Authors  Sieber, Samuel --   Hickethier, Knut --   Schwarz, Uta --   Hoffmann, Hilde --   Ravessoud, Catalina / Haver, Gianni --   Imesch, Kornelia --   Giovannoli, Pietro --   Mäder, Marie-Therese --   Borer, Nadja --   Bleuler, Marcel --  
<br/><br/> Open Access  https://purl.org/coar/access_right/c_abf2 
<br/><br/> Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance.This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel. 
<br/><br/><br/>Mode of access: Internet via World Wide Web. 
<br/><br/><br/>This eBook is made available Open Access under a CC BY-NC-ND 3.0 license:  
<br/><br/><br/>In English. 
<br/><br/><label>ISBN: </label>9783839429754 
<br/><br/><label>Standard No.: </label>10.14361/9783839429754  doi 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Documentary films--Congresses--History and criticism.<br/>Documentary films--History and criticism--Congresses.<br/>Documentary television programs--Congresses--History and criticism.<br/>Documentary television programs--History and criticism--Congresses.<br/>Group identity--Congresses--History.<br/>Group identity--History--Congresses.<br/>Motion picture journalism--Congresses--History.--Germany<br/>Motion picture journalism--History--Germany--Congresses.<br/>Motion picture journalism--Congresses--History.--Switzerland<br/>Motion picture journalism--History--Switzerland--Congresses.<br/>National characteristics in motion pictures--Congresses.<br/>National characteristics in motion pictures--Congresses--Conference papers and proceedings--Criticism, interpretation, etc.--History.--Germany--Switzerland<br/>Newsreels--Congresses--History.--Germany<br/>Newsreels--History--Germany--Congresses.<br/>Newsreels--Congresses--History.--Switzerland<br/>Newsreels--History--Switzerland--Congresses.<br/>Television--Congresses--Social aspects.<br/>Television--Social aspects--Congresses.<br/>Archive.<br/>Contemporary Art.<br/>Cultural History.<br/>Cultural Identity.<br/>Film.<br/>Media History.<br/>Media Studies.<br/>Media.<br/>National Identity.<br/>Television.<br/>SOCIAL SCIENCE / Media Studies.
<br/><br/><label>LC Class. No.: </label>PN5214.M68 
<br/><br/><label>Dewey Class. No.: </label>791