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Writings through John Cage's music, poetry, and art [electronic resource] / edited by David W. Bernstein and Christopher Hatch.

Contributor(s): Material type: TextTextPublication details: Chicago : University of Chicago Press, 2001.Description: 1 online resource (x, 310 p.) : illISBN:
  • 9780226044873 (electronic bk.)
  • 0226044874 (electronic bk.)
Subject(s): Genre/Form: Additional physical formats: Print version:: Writings through John Cage's music, poetry, and art.DDC classification:
  • 780/.92 22
LOC classification:
  • ML410.C24 W74 2001eb
Online resources:
Contents:
"In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence; or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma ... [et al.] -- Cage and the computer " a panel discussion / James Pritchett ... [et al.] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner.
Summary: This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to.
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ელ.რესურსი ელ.რესურსი ეროვნული სამეცნიერო ბიბლიოთეკა 1 Link to resource Available

Proceedings from the conference entitled "Here Comes Everybody: The Music, Poetry, and Art of John Cage" which took place at Mills College in Oakland, Calif. from November 15 to 19, 1995.

Includes index.

"In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence; or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma ... [et al.] -- Cage and the computer " a panel discussion / James Pritchett ... [et al.] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner.

Includes bibliographical references and index.

This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to.

Description based on print version record.

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