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The objective eye [electronic resource] : color, form, and reality in the theory of art / John Hyman.

By: Hyman, John.
Material type: TextTextPublisher: Chicago : University of Chicago Press, 2006Description: 1 online resource (xix, 286 p., [8] p. of plates) : ill. (some col.).ISBN: 9780226365541 (electronic bk.); 0226365549 (electronic bk.).Subject(s): Visual perception | Art -- Psychology | Composition (Art) | Color in art | Fine Arts | ART -- General | Visuele waarneming | Kunsttheorie | Beeldende kunsten | Psychologische aspecten | Visuelle Wahrnehmung | KunstpsychologieGenre/Form: Electronic books.Additional physical formats: Print version:: Objective eye.DDC classification: 701/.15 LOC classification: N7430.5 | .H96 2006ebOnline resources: EBSCOhost
Contents:
List of illustrations -- Preface -- Introduction -- Color -- Galileos myth -- Frames of reference -- Perceiving powers -- Depiction -- Art and imitation -- Art and occlusion -- Art and optics -- Art and experience -- Realism -- Words and pictures -- Realism and relativism -- The canvas of the brain -- Conclusion.
Summary: 'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective.
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ელ.რესურსი ელ.რესურსი ეროვნული სამეცნიერო ბიბლიოთეკა 1
http://web.b.ebscohost.com/ehost/detail/detail?sid=fcc5fa14-2055-446a-8505-83f8213973d3%40sessionmgr113&vid=0&hid=115&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=nlebk&AN=347373 Available

Includes bibliographical references (p. [269]-275) and index.

List of illustrations -- Preface -- Introduction -- Color -- Galileos myth -- Frames of reference -- Perceiving powers -- Depiction -- Art and imitation -- Art and occlusion -- Art and optics -- Art and experience -- Realism -- Words and pictures -- Realism and relativism -- The canvas of the brain -- Conclusion.

'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective.

Description based on print version record.

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