Broken Voices : (Record no. 534674)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05395nam a22006015i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 9780824866686 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | DE-B1597 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200803184516.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
| fixed length control field | m|||||o||d|||||||| |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr || |||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 200608t20172016hiu fo d z eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780824866686 |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1515/9780824866686 |
| Source of number or code | doi |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (DE-B1597)484140 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1038172434 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DE-B1597 |
| Language of cataloging | eng |
| Transcribing agency | DE-B1597 |
| Description conventions | rda |
| 041 0# - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE | |
| MARC country code | hiu |
| ISO country code | US-HI |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML3752.5 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | MUS015000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 782.42/162957 |
| Edition number | 23/eng |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Maliangkay, Roald, |
| Relator term | author. |
| Relator code | aut |
| -- | http://id.loc.gov/vocabulary/relators/aut |
| 245 10 - TITLE STATEMENT | |
| Title | Broken Voices : |
| Remainder of title | Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions / |
| Statement of responsibility, etc | Roald Maliangkay; Frederick Lau. |
| 264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R) | |
| Place of production, publication, distribution, manufacture | Honolulu : |
| Name of producer, publisher, distributor, manufacturer | University of Hawaii Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | [2017] |
| 264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R) | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2016 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (304 p.) : |
| Other physical details | 18 b&w illustrations |
| 336 ## - Content Type (R) | |
| Content type term (R) | text |
| Content type code (R) | txt |
| Source (NR) | rdacontent |
| 337 ## - Media Type (R) | |
| Media type term (R) | computer |
| Media type code (R) | c |
| Source (NR) | rdamedia |
| 338 ## - Carrier Type (R) | |
| Carrier type term (R) | online resource |
| Carrier type code (R) | cr |
| Source (NR) | rdacarrier |
| 347 ## - | |
| -- | text file |
| -- | |
| -- | rda |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Frontmatter -- |
| -- | CONTENTS -- |
| -- | Acknowledgments -- |
| -- | Romanization and Other Conventions -- |
| -- | Introduction: Promoting Tradition in Korea -- |
| -- | CHAPTER 1. Colonial Foundations of Korean Cultural Policy -- |
| -- | CHAPTER 2. Defining Korean Folksongs: Characteristics and Terminology -- |
| -- | CHAPTER 3. Masculinity in Demise: Sŏnsori sant’aryŏng and Kyŏnggi minyo -- |
| -- | CHAPTER 4. Embodying Nostalgia: Sŏdo sori -- |
| -- | Conclusion: Mimicry and Adaptation -- |
| -- | Appendix: Paebaengi kut -- |
| -- | Notes -- |
| -- | Glossary -- |
| -- | Bibliography -- |
| -- | Index |
| 506 0# - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Open Access |
| Uniform Resource Identifier | <a href="https://purl.org/coar/access_right/c_abf2">https://purl.org/coar/access_right/c_abf2</a> |
| Standardized terminology for access restriction | unrestricted online access |
| Source of term | star |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the young entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres.As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, compromises may be unwelcome, but imperative. |
| 538 ## - SYSTEM DETAILS NOTE | |
| System details note | Mode of access: Internet via World Wide Web. |
| 540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE | |
| Terms governing use and reproduction | This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: |
| Uniform Resource Identifier | <a href="https://creativecommons.org/licenses/by-nc-nd/4.0 ">https://creativecommons.org/licenses/by-nc-nd/4.0 </a> |
| -- | <a href="https://www.degruyter.com/dg/page/open-access-policy">https://www.degruyter.com/dg/page/open-access-policy</a> |
| 546 ## - LANGUAGE NOTE | |
| Language note | In English. |
| 588 0# - | |
| -- | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Folk songs, Korean |
| Chronological subdivision | 20th century |
| General subdivision | History and criticism. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | MUSIC / Ethnomusicology. |
| Source of heading or term | bisacsh |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Lau, Frederick, |
| Relator term | editor. |
| Relator code | edt |
| -- | http://id.loc.gov/vocabulary/relators/edt |
| 773 08 - HOST ITEM ENTRY | |
| Display text | Title is part of eBook package: |
| Place, publisher, and date of publication | De Gruyter |
| Title | Asian Studies Contemporary Collection eBook Package |
| International Standard Book Number | 9783110649826 |
| 773 08 - HOST ITEM ENTRY | |
| Display text | Title is part of eBook package: |
| Place, publisher, and date of publication | De Gruyter |
| Title | Hawaii eBook Package 2014-2016 |
| International Standard Book Number | 9783110564136 |
| 773 08 - HOST ITEM ENTRY | |
| Display text | Title is part of eBook package: |
| Place, publisher, and date of publication | De Gruyter |
| Title | PP Plus eBook-Package 2016 |
| International Standard Book Number | 9783110701012 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://doi.org/10.1515/9780824866686">https://doi.org/10.1515/9780824866686</a> |
| Public note | Open Access |
| 856 42 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Cover |
| Uniform Resource Identifier | <a href="https://www.degruyter.com/cover/covers/9780824866686.jpg">https://www.degruyter.com/cover/covers/9780824866686.jpg</a> |
| 912 ## - | |
| -- | 978-3-11-056413-6 Hawaii eBook Package 2014-2016 |
| -- | 2014 |
| -- | 2016 |
| 912 ## - | |
| -- | 978-3-11-064982-6 Asian Studies Contemporary Collection eBook Package |
| 912 ## - | |
| -- | 978-3-11-070101-2 PP Plus eBook-Package 2016 |
| -- | 2016 |
| 912 ## - | |
| -- | EBA_STMALL |
| 912 ## - | |
| -- | GBV-deGruyter-alles |
| 912 ## - | |
| -- | PDA12STME |
| 912 ## - | |
| -- | ZDB-23-GOA |
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