National Science Library of Georgia

Writing in Limbo : (Record no. 534755)

MARC details
000 -LEADER
fixed length control field 03144nam a22004815i 4500
001 - CONTROL NUMBER
control field 9781501722936
003 - CONTROL NUMBER IDENTIFIER
control field DE-B1597
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200803184518.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION
fixed length control field m|||||o||d||||||||
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr || ||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180924s2018 nyu fo d z eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781501722936
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.7591/9781501722936
Source of number or code doi
035 ## - SYSTEM CONTROL NUMBER
System control number (DE-B1597)496376
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1028955655
040 ## - CATALOGING SOURCE
Original cataloging agency DE-B1597
Language of cataloging eng
Transcribing agency DE-B1597
Description conventions rda
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title eng
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE
MARC country code nyu
ISO country code US-NY
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR9205.4
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT004100
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT024050
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 823
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gikandi, Simon,
Relator term author.
245 10 - TITLE STATEMENT
Title Writing in Limbo :
Remainder of title Modernism and Caribbean Literature /
Statement of responsibility, etc Simon Gikandi.
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R)
Place of production, publication, distribution, manufacture Ithaca, NY :
Name of producer, publisher, distributor, manufacturer Cornell University Press,
Date of production, publication, distribution, manufacture, or copyright notice [2018]
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R)
Date of production, publication, distribution, manufacture, or copyright notice ©1992
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource
336 ## - Content Type (R)
Content type term (R) text
Content type code (R) txt
Source (NR) rdacontent
337 ## - Media Type (R)
Media type term (R) computer
Media type code (R) c
Source (NR) rdamedia
338 ## - Carrier Type (R)
Carrier type term (R) online resource
Carrier type code (R) cr
Source (NR) rdacarrier
347 ## -
-- text file
-- PDF
-- rda
505 00 - FORMATTED CONTENTS NOTE
Title Frontmatter --
-- Contents --
-- Acknowledgments --
-- Introduction. Modernism and the Origins of Caribbean Literature --
-- 1. Caribbean Modernist Discourse : Writing, Exile, and Tradition --
-- 2. From Exile to Nationalism: The Early Novels of George Lamming --
-- 3. Beyond the Kala-Pani: The Trinidad Novels of Samuel Selvon --
-- 4. The Deformation Of Modernism: The Allegory of History in Carpentier's El siglo de las luces --
-- 5. Modernism and the Masks of History: The Novels of Paule Marshall --
-- 6. Writing after Colonialism: Crick Crack, Monkey and Beka Lamb --
-- 7. Narration at the Postcolonial Moment: History and Representation in Abeng --
-- Conclusion --
-- Index
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Uniform Resource Identifier <a href="https://purl.org/coar/access_right/c_abf2">https://purl.org/coar/access_right/c_abf2</a>
Standardized terminology for access restriction unrestricted online access
Source of term star
520 ## - SUMMARY, ETC.
Summary, etc In Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity-a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.
538 ## - SYSTEM DETAILS NOTE
System details note Mode of access: Internet via World Wide Web.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction This eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:
Uniform Resource Identifier <a href="https://creativecommons.org/licenses/by-nc-nd/3.0 ">https://creativecommons.org/licenses/by-nc-nd/3.0 </a>
-- <a href="https://www.degruyter.com/dg/page/open-access-policy">https://www.degruyter.com/dg/page/open-access-policy</a>
546 ## - LANGUAGE NOTE
Language note In English.
588 0# -
-- Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.degruyter.com/doi/book/10.7591/9781501722936">https://www.degruyter.com/doi/book/10.7591/9781501722936</a>
Public note Open Access
856 42 - ELECTRONIC LOCATION AND ACCESS
Materials specified Cover
Uniform Resource Identifier <a href="https://www.degruyter.com/cover/covers/9781501722936.jpg">https://www.degruyter.com/cover/covers/9781501722936.jpg</a>
912 ## -
-- GBV-deGruyter-alles
912 ## -
-- ZDB-23-GOA

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