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The Works of Li Qingzhao / Anna Shields.

Contributor(s): Material type: TextTextLanguage: English Series: Library of Chinese HumanitiesPublisher: Berlin ; Boston : De Gruyter Mouton, [2019]Copyright date: ©2019Description: 1 online resource (XXXVI, 207 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501504518
Subject(s): Additional physical formats: No title; No titleOnline resources:
Contents:
Frontmatter -- Table of Contents -- Introduction -- Chapter 1: Classical Poetry -- Chapter 2: Prose -- Chapter 3: Song Lyrics -- Endnotes -- Major Sources
Title is part of eBook package: Asian Studies Contemporary Collection eBook PackageTitle is part of eBook package: EBOOK PACKAGE COMPLETE 2019 EnglishTitle is part of eBook package: EBOOK PACKAGE COMPLETE 2019Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Stud. 2019 EnglishTitle is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2019Summary: Previous translations and descriptions of Li Qingzhao are molded by an image of her as lonely wife and bereft widow formed by centuries of manipulation of her work and legacy by scholars and critics (all of them male) to fit their idea of a what a talented woman writer would sound like. The true voice of Li Qingzhao is very different. A new translation and presentation of her is needed to appreciate her genius and to account for the sense that Chinese readers have always had, despite what scholars and critics were saying, about the boldness and originality of her work. The introduction will lay out the problems of critical refashioning and conventionalization of her carried out in the centuries after her death, thus preparing the reader for a new reading. Her songs and poetry will then be presented in a way that breaks free of a narrow autobiographical reading of them, distinguishes between reliable and unreliable attributions, and also shows the great range of her talent by including important prose pieces and seldom read poems. In this way, the standard image of Li Qingzhao, exemplied by a handful of her best known and largely misunderstood works, will be challenged and replaced by a new understanding. The volume will present a literary portrait of Li Qingzhao radically unlike the one in conventional anthologies and literary histories, allowing English readers for the first time to appreciate her distinctiveness as a writer and to properly gauge her achievement as a female alternative, as poet and essayist, to the male literary culture of her day.
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Frontmatter -- Table of Contents -- Introduction -- Chapter 1: Classical Poetry -- Chapter 2: Prose -- Chapter 3: Song Lyrics -- Endnotes -- Major Sources

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

Previous translations and descriptions of Li Qingzhao are molded by an image of her as lonely wife and bereft widow formed by centuries of manipulation of her work and legacy by scholars and critics (all of them male) to fit their idea of a what a talented woman writer would sound like. The true voice of Li Qingzhao is very different. A new translation and presentation of her is needed to appreciate her genius and to account for the sense that Chinese readers have always had, despite what scholars and critics were saying, about the boldness and originality of her work. The introduction will lay out the problems of critical refashioning and conventionalization of her carried out in the centuries after her death, thus preparing the reader for a new reading. Her songs and poetry will then be presented in a way that breaks free of a narrow autobiographical reading of them, distinguishes between reliable and unreliable attributions, and also shows the great range of her talent by including important prose pieces and seldom read poems. In this way, the standard image of Li Qingzhao, exemplied by a handful of her best known and largely misunderstood works, will be challenged and replaced by a new understanding. The volume will present a literary portrait of Li Qingzhao radically unlike the one in conventional anthologies and literary histories, allowing English readers for the first time to appreciate her distinctiveness as a writer and to properly gauge her achievement as a female alternative, as poet and essayist, to the male literary culture of her day.

funded by The Andrew W. Mellon Foundation

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 3.0 license:

https://creativecommons.org/licenses/by-nc-nd/3.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)

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