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The Other Side of the Story : Structures and Strategies of Contemporary Feminist Narratives / Molly Hite.

By: Material type: TextTextLanguage: English Publisher: Ithaca, NY : Cornell University Press, [2018]Copyright date: ©1992Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501726316
DDC classification:
  • 823/.914/099287
LOC classification:
  • PR888.W6 .H584 1992eb
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 Writing in the Margins: Jean Rhys -- 2 The Future in a Different Shape: Broken Form and Possibility in The Golden Notebook -- 3 Romance, Marginality, Matrilineage: The Color Purple -- 4 Other Side, Other Woman: Lady Oracle -- Index
Summary: In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.
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Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 Writing in the Margins: Jean Rhys -- 2 The Future in a Different Shape: Broken Form and Possibility in The Golden Notebook -- 3 Romance, Marginality, Matrilineage: The Color Purple -- 4 Other Side, Other Woman: Lady Oracle -- Index

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:

https://creativecommons.org/licenses/by-nc-nd/3.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)

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