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Art Unlimited? : Dynamics and Paradoxes of a Globalizing Art World / Thomas Mazzurana, Raphaela Köfeler, Erwin Single, Franz Schultheis.

By: Contributor(s): Material type: TextTextLanguage: English Series: Kulturen der Gesellschaft ; 20Publisher: Bielefeld : transcript-Verlag, [2016]Copyright date: ©2016Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839432969
Subject(s): DDC classification:
  • 701/.03095 23
LOC classification:
  • N72.S6 S348 2016
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- Introduction: Art unlimited? -- Prospective territorial occupations -- Voices from an emerging art field -- The Olympics of art in distant realms -- Contemporary art and its Eastern public -- A world turned upside down -- Appendix
Title is part of eBook package: transcript eBook Package English Contemporary 2016-2018Summary: Until recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified?A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say.
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Frontmatter -- Contents -- Preface -- Introduction: Art unlimited? -- Prospective territorial occupations -- Voices from an emerging art field -- The Olympics of art in distant realms -- Contemporary art and its Eastern public -- A world turned upside down -- Appendix

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

Until recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified?A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-ND 3.0 license:

https://creativecommons.org/licenses/by-nd/3.0

http://www.transcript-verlag.de/open-access-bei-transcript

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)

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