National Science Library of Georgia

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From victimhood to empowerment : representing women in 1920s Soviet Georgian cinema / Salome Tsopurashvili.

By: Material type: TextTextLanguage: English Publisher: New York : Bloomsbury Academic, 2025Description: xiii, 250 p. : illContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781501383144
  • 9781501383175
Subject(s): Genre/Form: Additional physical formats: Online version:: From victimhood to empowermentDDC classification:
  • 791.43/652209475809042 23/eng/20250131
LOC classification:
  • PN1995.9.W6 C667 2025
Summary: "From Victimhood to Empowerment brings the cinematographic works of Georgia's State Film Industry from the margins of Soviet film studies to the center, focusing on women's representations and exploring how the gender roles were modified throughout the decade according to the new social and political ideals through discourse analysis, postcolonial perspectives, and psychoanalytical feminist film theories. It surveys to what extent women's screen images were emancipated and what the functional meaning of this emancipation was its context, how the new ideals of New Soviet woman were inscribed in films, and how these ideals were combined with Georgian nationality"--
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
წიგნი წიგნი ეროვნული სამეცნიერო ბიბლიოთეკა 1 საცავი. 1 კორპ. 791 (Browse shelf(Opens below)) 2E65991 Available 2026-2568485
წიგნი წიგნი ეროვნული სამეცნიერო ბიბლიოთეკა 1 საცავი. 1 კორპ. 791 (Browse shelf(Opens below)) 2E65992 Available 2026-2568505

Includes bibliographical references and index.

"From Victimhood to Empowerment brings the cinematographic works of Georgia's State Film Industry from the margins of Soviet film studies to the center, focusing on women's representations and exploring how the gender roles were modified throughout the decade according to the new social and political ideals through discourse analysis, postcolonial perspectives, and psychoanalytical feminist film theories. It surveys to what extent women's screen images were emancipated and what the functional meaning of this emancipation was its context, how the new ideals of New Soviet woman were inscribed in films, and how these ideals were combined with Georgian nationality"--

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