02150nam a22003017a 4500001000700000003000700007005001700014008004100031010001700072020001500089040001800104041000800122050001500130080001100145082001000156245005900166260005100225300005600276350001000332505117200342650002801514650004301542653007801585653007801663653003201741653002301773700005201796791119Ge_NSL20190123173359.0190123s1970    us ||||| |||| 00| 0 eng d  a   74098065   a0801405505  aDLCcDLCdDLC  aeng00aML55b.C75  a004+7800a789.704aThe Computer and music / cEdited by Harry B. Lincoln.  aIthaca : bCornell University Press, c[1970].  axvi, 354 p. : billus., facsims., music. ; c25 cm.  a15.000 aMusicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson. 0aMusicxData processing. 0aComputer musicxHistory and criticism.  aსაინფორმაციო ტექნოლოგიები  aკომპიუტერული ტექნოლოგიები  aხელოვნება  aმუსიკა1 aLincoln, Harry B.,eრედაქტორი