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  <titleInfo>
    <nonSort>The </nonSort>
    <title>Computer and music</title>
  </titleInfo>
  <name type="personal">
    <namePart>Lincoln, Harry B.</namePart>
    <role>
      <roleTerm type="text">რედაქტორი</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">us</placeTerm>
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    <place>
      <placeTerm type="text">Ithaca</placeTerm>
    </place>
    <publisher>Cornell University Press</publisher>
    <dateIssued>[1970]</dateIssued>
    <dateIssued encoding="marc">1970</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xvi, 354 p. :  illus., facsims., music. ;  25 cm.</extent>
  </physicalDescription>
  <tableOfContents>Musicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson.</tableOfContents>
  <note type="statement of responsibility">Edited by Harry B. Lincoln.</note>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Data processing</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Computer music</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject>
    <topic>საინფორმაციო ტექნოლოგიები</topic>
  </subject>
  <subject>
    <topic>კომპიუტერული ტექნოლოგიები</topic>
  </subject>
  <subject>
    <topic>ხელოვნება</topic>
  </subject>
  <subject>
    <topic>მუსიკა</topic>
  </subject>
  <classification authority="lcc">ML55 .C75</classification>
  <classification authority="ddc">789.7</classification>
  <classification authority="udc">004+78</classification>
  <identifier type="isbn">0801405505</identifier>
  <identifier type="lccn">74098065</identifier>
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    <recordCreationDate encoding="marc">190123</recordCreationDate>
    <recordChangeDate encoding="iso8601">20190123173359.0</recordChangeDate>
    <recordIdentifier source="Ge_NSL">791119</recordIdentifier>
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