TY  - BOOK
AU  - Coëgnarts,Maarten
TI  - Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick 
SN  - 9781644691137
PY  - 2019///]
CY  - Boston, MA : 
PB  - Academic Studies Press, 
KW  - 2001: A Space Odyssey
KW  - 20th century film
KW  - Barry Lyndon
KW  - Eyes Wide Shut
KW  - Paths of Glory
KW  - Stanley Kubrick;film;film studies
KW  - The Shining
KW  - aesthetics
KW  - artistic intention
KW  - cinema studies
KW  - cognitive film theory
KW  - cognitive linguistics
KW  - communication
KW  - directing
KW  - embodied cognitive science
KW  - embodied meaning
KW  - evolutionary theory
KW  - film as language
KW  - film scores
KW  - film semiotics
KW  - filmmaking
KW  - metaphor
KW  - methodology
KW  - music
KW  - perception
KW  - philosophy
KW  - psychoanalysis
KW  - screenwriting
KW  - semiotics
KW  - twentieth century film
KW  - PERFORMING ARTS / Film & Video / History & Criticism
KW  - bisacsh
N1  - Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Introduction. The Theoretical Context of This Study --; Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films --; Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies --; Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting --; Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick --; Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer --; Appendix --; Glossary --; Filmography --; Discography --; Bibliography --; Index; Open Access
N2  - How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity
UR  - https://doi.org/10.1515/9781644691137
UR  - https://www.degruyter.com/cover/covers/9781644691137.jpg
ER  -