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The Marsh of Gold : Pasternak's Writings on Inspiration and Creation / Boris Pasternak.

By: Contributor(s): Material type: TextTextLanguage: English Series: Studies in Russian and Slavic Literatures, Cultures, and HistoryPublisher: Boston, MA : Academic Studies Press, [2017]Copyright date: ©2008Description: 1 online resource (330 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781618116987
Subject(s): Online resources:
Contents:
Frontmatter -- Contents -- PREFACE -- ACKNOWLEDGMENTS -- NOTE ON TRANSLITERATION AND DATES -- ABBREVIATIONS -- A BRIEF CHRONOLOGY -- NOTE ON PASTERNAK'S CONNECTIONS WITH LITERARY GROUPS -- INTRODUCTION -- I. EARLY PROSE (1910-1919) -- II. A SAFE-CONDUCT or "THE PRESERVATION CERTIFICATE" (1928-1931) -- III. FIFTEEN POEMS (1912-1931) -- IV. SPEECHES AND ARTICLES 1930s and 1940s -- V. An Essay on Pasternak's Novel DOCTOR ZHIVAGO -- NOTES -- SELECTIVE BIBLIOGRAPHY -- INDEX
Title is part of eBook package: ASP eBook Package Backlist 2008-2015Summary: Major statements by the celebrated Russian poet Boris Pasternak (1890-1960) about poetry, inspiration, the creative process, and the significance of artistic/literary creativity in his own life as well as in human life altogether, are presented here in his own words (in translation) and are discussed in the extensive commentaries and introduction. The texts range from 1910 to 1946 and are between two and ninety pages long. There are commentaries on all the texts, as well as a final essay on Pasternak's famous novel, Doctor Zhivago, which is looked at here in the light of what it says on art and inspiration. Although universally acknowledged as one of the great writers of the twentieth century, Pasternak is not yet sufficiently recognized as the highly original and important thinker that he also was. All his life he thought and wrote about the nature and significance of the experience of inspiration, though avoiding the word "inspiration" where possible as his own views were not the conventional ones. The author's purpose is (a) to make this philosophical aspect of his work better known, and (b) to communicate to readers who cannot read Russian the pleasure and interest of an "inspired" life as Pasternak experienced it.
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Frontmatter -- Contents -- PREFACE -- ACKNOWLEDGMENTS -- NOTE ON TRANSLITERATION AND DATES -- ABBREVIATIONS -- A BRIEF CHRONOLOGY -- NOTE ON PASTERNAK'S CONNECTIONS WITH LITERARY GROUPS -- INTRODUCTION -- I. EARLY PROSE (1910-1919) -- II. A SAFE-CONDUCT or "THE PRESERVATION CERTIFICATE" (1928-1931) -- III. FIFTEEN POEMS (1912-1931) -- IV. SPEECHES AND ARTICLES 1930s and 1940s -- V. An Essay on Pasternak's Novel DOCTOR ZHIVAGO -- NOTES -- SELECTIVE BIBLIOGRAPHY -- INDEX

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

Major statements by the celebrated Russian poet Boris Pasternak (1890-1960) about poetry, inspiration, the creative process, and the significance of artistic/literary creativity in his own life as well as in human life altogether, are presented here in his own words (in translation) and are discussed in the extensive commentaries and introduction. The texts range from 1910 to 1946 and are between two and ninety pages long. There are commentaries on all the texts, as well as a final essay on Pasternak's famous novel, Doctor Zhivago, which is looked at here in the light of what it says on art and inspiration. Although universally acknowledged as one of the great writers of the twentieth century, Pasternak is not yet sufficiently recognized as the highly original and important thinker that he also was. All his life he thought and wrote about the nature and significance of the experience of inspiration, though avoiding the word "inspiration" where possible as his own views were not the conventional ones. The author's purpose is (a) to make this philosophical aspect of his work better known, and (b) to communicate to readers who cannot read Russian the pleasure and interest of an "inspired" life as Pasternak experienced it.

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC 4.0 license:

https://creativecommons.org/licenses/by-nc/4.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)

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