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008 190123s1970 us ||||| |||| 00| 0 eng d
010 _a 74098065
020 _a0801405505
040 _aDLC
_cDLC
_dDLC
041 _aeng
050 0 0 _aML55
_b.C75
080 _a004+78
082 0 0 _a789.7
245 0 4 _aThe Computer and music /
_cEdited by Harry B. Lincoln.
260 _aIthaca :
_bCornell University Press,
_c[1970].
300 _axvi, 354 p. :
_billus., facsims., music. ;
_c25 cm.
350 _a15.00
505 0 _aMusicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson.
650 0 _aMusic
_xData processing.
_996207
650 0 _aComputer music
_xHistory and criticism.
_996208
653 _aსაინფორმაციო ტექნოლოგიები
653 _aკომპიუტერული ტექნოლოგიები
653 _aხელოვნება
653 _aმუსიკა
700 1 _aLincoln, Harry B.,
_eრედაქტორი
_996209
906 _a7
_bcbc
_corignew
_d2
_encip
_f19
_gy-gencatlg
942 _2udc
_cBK