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| 005 | 20190123173359.0 | ||
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| 245 | 0 | 4 |
_aThe Computer and music / _cEdited by Harry B. Lincoln. |
| 260 |
_aIthaca : _bCornell University Press, _c[1970]. |
||
| 300 |
_axvi, 354 p. : _billus., facsims., music. ; _c25 cm. |
||
| 350 | _a15.00 | ||
| 505 | 0 | _aMusicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson. | |
| 650 | 0 |
_aMusic _xData processing. _996207 |
|
| 650 | 0 |
_aComputer music _xHistory and criticism. _996208 |
|
| 653 | _aსაინფორმაციო ტექნოლოგიები | ||
| 653 | _aკომპიუტერული ტექნოლოგიები | ||
| 653 | _aხელოვნება | ||
| 653 | _aმუსიკა | ||
| 700 | 1 |
_aLincoln, Harry B., _eრედაქტორი _996209 |
|
| 906 |
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