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| 001 | 9780824866686 | ||
| 003 | DE-B1597 | ||
| 005 | 20200803184516.0 | ||
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| 008 | 200608t20172016hiu fo d z eng d | ||
| 020 | _a9780824866686 | ||
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_a10.1515/9780824866686 _2doi |
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| 035 | _a(DE-B1597)484140 | ||
| 035 | _a(OCoLC)1038172434 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aMUS015000 _2bisacsh |
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_a782.42/162957 _223/eng |
| 100 | 1 |
_aMaliangkay, Roald, _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
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| 245 | 1 | 0 |
_aBroken Voices : _bPostcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions / _cRoald Maliangkay; Frederick Lau. |
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_aHonolulu : _bUniversity of Hawaii Press, _c[2017] |
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| 264 | 4 | _c©2016 | |
| 300 |
_a1 online resource (304 p.) : _b18 b&w illustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tCONTENTS -- _tAcknowledgments -- _tRomanization and Other Conventions -- _tIntroduction: Promoting Tradition in Korea -- _tCHAPTER 1. Colonial Foundations of Korean Cultural Policy -- _tCHAPTER 2. Defining Korean Folksongs: Characteristics and Terminology -- _tCHAPTER 3. Masculinity in Demise: Sŏnsori sant’aryŏng and Kyŏnggi minyo -- _tCHAPTER 4. Embodying Nostalgia: Sŏdo sori -- _tConclusion: Mimicry and Adaptation -- _tAppendix: Paebaengi kut -- _tNotes -- _tGlossary -- _tBibliography -- _tIndex |
| 506 | 0 |
_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star |
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| 520 | _aBroken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the young entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres.As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, compromises may be unwelcome, but imperative. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 540 |
_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0 _uhttps://www.degruyter.com/dg/page/open-access-policy |
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| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) | |
| 650 | 0 |
_aFolk songs, Korean _y20th century _xHistory and criticism. |
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| 650 | 7 |
_aMUSIC / Ethnomusicology. _2bisacsh |
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| 700 | 1 |
_aLau, Frederick, _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt |
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| 773 | 0 | 8 |
_iTitle is part of eBook package: _dDe Gruyter _tAsian Studies Contemporary Collection eBook Package _z9783110649826 |
| 773 | 0 | 8 |
_iTitle is part of eBook package: _dDe Gruyter _tHawaii eBook Package 2014-2016 _z9783110564136 |
| 773 | 0 | 8 |
_iTitle is part of eBook package: _dDe Gruyter _tPP Plus eBook-Package 2016 _z9783110701012 |
| 856 | 4 | 0 |
_uhttps://doi.org/10.1515/9780824866686 _zOpen Access |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9780824866686.jpg |
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_a978-3-11-056413-6 Hawaii eBook Package 2014-2016 _c2014 _d2016 |
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| 912 | _a978-3-11-064982-6 Asian Studies Contemporary Collection eBook Package | ||
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_a978-3-11-070101-2 PP Plus eBook-Package 2016 _b2016 |
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| 912 | _aEBA_STMALL | ||
| 912 | _aGBV-deGruyter-alles | ||
| 912 | _aPDA12STME | ||
| 912 | _aZDB-23-GOA | ||
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_c534674 _d534672 |
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