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| 001 | 9781501719974 | ||
| 003 | DE-B1597 | ||
| 005 | 20200803184518.0 | ||
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| 008 | 180924s2018 nyu fo d z eng d | ||
| 020 | _a9781501719974 | ||
| 024 | 7 |
_a10.7591/9781501719974 _2doi |
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| 035 | _a(DE-B1597)496485 | ||
| 035 | _a(OCoLC)1028946601 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 041 | 0 | _aeng | |
| 044 |
_anyu _cUS-NY |
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_aPR878.C25 _b.J344 2000eb |
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_aSOC050000 _2bisacsh |
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_a823/.809 _221 |
| 100 | 1 |
_aJaffe, Audrey, _eauthor. |
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| 245 | 1 | 0 |
_aScenes of Sympathy : _bIdentity and Representation in Victorian Fiction / _cAudrey Jaffe. |
| 264 | 1 |
_aIthaca, NY : _bCornell University Press, _c[2018] |
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| 264 | 4 | _c©2000 | |
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_a1 online resource : _b1 halftone |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _tPart I. Sympathy and the Spi of Capitalism -- _t1. Sympathy and Spectacle in Dickens's "A Christmas Carol" -- _t2. Detecting the Beggar: Arthur Conan Doyle, Henry Mayhew, and the Construction of Social Identity -- _tPart II. Fear of Falling -- _t3. Under Cover: Sympathy and Ressentiment in GaskelVs R uth -- _t4. Isabel's Spectacles: Seeing Value in East Lynne -- _tPart III. The Aesthetics of Cultural Identity -- _t5. Consenting to the Fact: Body; Nation, and Identity in Daniel Deronda -- _t5. Embodying Culture: Dorian's Wish -- _tIndex |
| 506 | 0 |
_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star |
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| 520 | _aIn Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 540 |
_aThis eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license: _uhttps://creativecommons.org/licenses/by-nc-nd/3.0 _uhttps://www.degruyter.com/dg/page/open-access-policy |
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| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) | |
| 856 | 4 | 0 |
_uhttps://www.degruyter.com/doi/book/10.7591/9781501719974 _zOpen Access |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781501719974.jpg |
| 912 | _aGBV-deGruyter-alles | ||
| 912 | _aZDB-23-GOA | ||
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_c534734 _d534732 |
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