| 000 | 03144nam a22004815i 4500 | ||
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| 001 | 9781501722936 | ||
| 003 | DE-B1597 | ||
| 005 | 20200803184518.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 180924s2018 nyu fo d z eng d | ||
| 020 | _a9781501722936 | ||
| 024 | 7 |
_a10.7591/9781501722936 _2doi |
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| 035 | _a(DE-B1597)496376 | ||
| 035 | _a(OCoLC)1028955655 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 041 | 0 | _aeng | |
| 044 |
_anyu _cUS-NY |
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| 050 | 4 | _aPR9205.4 | |
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_aLIT004100 _2bisacsh |
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| 072 | 7 |
_aLIT024050 _2bisacsh |
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| 082 | 0 | 4 | _a823 |
| 100 | 1 |
_aGikandi, Simon, _eauthor. |
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| 245 | 1 | 0 |
_aWriting in Limbo : _bModernism and Caribbean Literature / _cSimon Gikandi. |
| 264 | 1 |
_aIthaca, NY : _bCornell University Press, _c[2018] |
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| 264 | 4 | _c©1992 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction. Modernism and the Origins of Caribbean Literature -- _t1. Caribbean Modernist Discourse : Writing, Exile, and Tradition -- _t2. From Exile to Nationalism: The Early Novels of George Lamming -- _t3. Beyond the Kala-Pani: The Trinidad Novels of Samuel Selvon -- _t4. The Deformation Of Modernism: The Allegory of History in Carpentier's El siglo de las luces -- _t5. Modernism and the Masks of History: The Novels of Paule Marshall -- _t6. Writing after Colonialism: Crick Crack, Monkey and Beka Lamb -- _t7. Narration at the Postcolonial Moment: History and Representation in Abeng -- _tConclusion -- _tIndex |
| 506 | 0 |
_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star |
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| 520 | _aIn Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity-a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 540 |
_aThis eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license: _uhttps://creativecommons.org/licenses/by-nc-nd/3.0 _uhttps://www.degruyter.com/dg/page/open-access-policy |
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| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018) | |
| 856 | 4 | 0 |
_uhttps://www.degruyter.com/doi/book/10.7591/9781501722936 _zOpen Access |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781501722936.jpg |
| 912 | _aGBV-deGruyter-alles | ||
| 912 | _aZDB-23-GOA | ||
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_c534755 _d534753 |
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