| 000 | 03045nam a22004935i 4500 | ||
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| 001 | 9781501726354 | ||
| 003 | DE-B1597 | ||
| 005 | 20200803184519.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 190615s2018 nyu fo d z eng d | ||
| 020 | _a9781501726354 | ||
| 024 | 7 |
_a10.7591/9781501726354 _2doi |
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| 035 | _a(DE-B1597)496526 | ||
| 035 | _a(OCoLC)1028950596 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 041 | 0 | _aeng | |
| 044 |
_anyu _cUS-NY |
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| 050 | 4 | _aPN145 | |
| 072 | 7 |
_aLIT006000 _2bisacsh |
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| 072 | 7 |
_aPHI027000 _2bisacsh |
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| 082 | 0 | 4 | _a801/.9 |
| 100 | 1 |
_aKamuf, Peggy, _eauthor. |
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| 245 | 1 | 0 |
_aSignature Pieces : _bOn the Institution of Authorship / _cPeggy Kamuf. |
| 264 | 1 |
_aIthaca, NY : _bCornell University Press, _c[2018] |
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| 264 | 4 | _c©1988 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tINTRODUCTION. A Single Line Divided -- _tPART I. ROUSSEAU AND THE MODERN SIGNATURE -- _tCHAPTER ONE. The Name of a Problem -- _tCHAPTER TWO. Contracting the Signature -- _tCHAPTER THREE. Author of a Crime -- _tCHAPTER FOUR. Seeing through Rousseau -- _tCONCLUSION. End piece -- _tPART II. NO ONE SIGNS FOR THE OTHER -- _tCHAPTER FIVE. Baudelaire au feminin -- _tCHAPTER SIX. Penelope at Work -- _tPART III. RESISTANCE THEORIES -- _tCHAPTER SEVEN. Floating Authorship -- _tCHAPTER EIGHT. Pieces of Resistance -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star |
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| 520 | _aSome contemporary approaches to literature still accept the separation of historical, biographical, external concerns from formal, internal ones. On the borderline that lends this division between inside and outside its apparent coherence is signature. In Peggy Kamuf's view, studying signature will help us to rediscover some of the stakes of literary writing beyond the historicist/formalist opposition. Drawing on Derrida's extensive work on signatures and proper names, Kamuf investigates authorial signature in key writers from Rousseau to Woolf, as well as the implications of signature for the institutions of authorship and criticism. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 540 |
_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0 _uhttps://www.degruyter.com/dg/page/open-access-policy |
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| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019) | |
| 650 | 7 |
_aLITERARY CRITICISM / Semiotics & Theory. _2bisacsh |
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| 856 | 4 | 0 |
_uhttps://doi.org/10.7591/9781501726354 _zOpen Access |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781501726354.jpg |
| 912 | _aGBV-deGruyter-alles | ||
| 912 | _aZDB-23-GOA | ||
| 999 |
_c534783 _d534781 |
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