000			05767nam a22005535i 4500
001			9781618116765
003			DE-B1597
005			20200803184520.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			191221s2017 mau fo d z eng d
020			_a9781618116765
024	7		_a10.1515/9781618116765 _2doi
035			_a(DE-B1597)540806
035			_a(OCoLC)1135577237
040			_aDE-B1597 _beng _cDE-B1597 _erda
041	0		_aeng
044			_amau _cUS-MA
072		7	_aLIT004240 _2bisacsh
245	0	0	_aFreedom From Violence and Lies : _bEssays on Russian Poetry and Music by Simon Karlinsky / _cRobert P. Hughes, Richard Taruskin, Thomas A. Koster.
264		1	_aBoston, MA : _bAcademic Studies Press, _c[2017]
264		4	_c©2013
300			_a1 online resource (502 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aArs Rossica
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tI. PUSHKIN AND ROMANTICISM -- _t1. Two Pushkin Studies -- _t2. Fortunes of an Infanticide -- _t3. Pushkin Re-Englished -- _t4. A Mystical Musicologist -- _t5. Küchelbecker's Trilogy, Izhorsky, As an Example of the Romantic Revival of the Medieval Mystery Play -- _t6. Misanthropy and Sadism in Lermontov's Plays -- _tII. MODERNISM, ITS PAST, ITS LEGACY -- _t7. Annensky's Materiality -- _t8. Zinaida Gippius and Russian Poetry -- _t9. Died and Survived -- _t10. Symphonic Structure in Andrei Bely's Pervoe svidanie -- _t11. The Death and Resurrection of Mikhail Kuzmin -- _t12. Nikolai Gumilyov and Théophile Gautier -- _t13. An Emerging Reputation Comparable to Pushkin's -- _t14. Tsvetaeva in English: A Review Article -- _t15. A New Edition of the Poems of Marina Tsvetaeva -- _t16. New Information about the Émigré Period of Marina Tsvetaeva (Based on Material from Her Correspondence with Anna Tesková) -- _t17. Pasternak, Pushkin, and the Ocean in Marina Tsvetaeva's From the Sea -- _t18. "Traveling to Geneva...": On a Less-than-Successful Trip by Marina Tsvetaeva -- _t19. Isadora Had a Taste for "Russian Love" -- _t20. Surrealism in Twentieth-Century Russian Poetry: Churilin, Zabolotsky, Poplavsky -- _t21. Evtushenko and the Underground Poets -- _tIII. POETRY ABROAD -- _t22. In Search of Poplavsky: A Collage -- _t23. Morshen, or a Canoe to Eternity -- _t24. Morshen after Ekho i zerkalo -- _t25. A Hidden Masterpiece: Valery Pereleshin's Ariel -- _t26. Russian Culture in Manchuria and the Memoirs of Valery Pereleshin -- _tIV. ON CHAIKOVSKY -- _t27. A Review of Tchaikovsky: A Self-Portrait by Alexandra Orlova -- _t28. Should We Retire Chaikovsky? -- _t29. Man or Myth? The Retrieval of the True Chaikovsky -- _t30. Chaikovsky and the Pantomime of Derision -- _tV. ON STRAVINSKY -- _t31. The Composer's Workshop -- _t32. The Repatriation of Igor Stravinsky -- _t33. Igor Stravinsky and Russian Preliterate Theater -- _tVI. ON SHOSTAKOVICH -- _t34. "Our Destinies Are Bad" -- _t35. Taking Notes for Testimony -- _tVII. SONG AND DANCE -- _t36. The Uses of Chaliapin -- _t37. Russian Comic Opera in the Age of Catherine the Great -- _t38. Contralto: Rossini, Gautier and Gumilyov -- _t39. A Cultural Educator of Genius -- _t40. Opera and Drama in Ravel -- _tIndex of Names
506	0		_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star
520			_aFreedom from Violence and Lies is a collection of forty-one essays by Simon Karlinsky (1924-2009), a prolific and controversial scholar of modern Russian literature, sexual politics, and music who taught in the University of California, Berkeley's Department of Slavic Languages and Literatures from 1964 to 1991. Among Karlinsky's full-length works are major studies of Marina Tsvetaeva and Nikolai Gogol, Russian Drama from Its Beginnings to the Age of Pushkin; editions of Anton Chekhov's letters; writings by Russian émigrés; and correspondence between Vladimir Nabokov and Edmund Wilson. Karlinsky also wrote frequently for professional journals and mainstream publications like the New York Times Book Review and the Nation. The present volume is the first collection of such shorter writings, spanning more than three decades. It includes twenty-seven essays on literary topics and fourteen on music, seven of which have been newly translated from the Russian originals.
538			_aMode of access: Internet via World Wide Web.
540			_aThis eBook is made available Open Access under a CC BY-NC 4.0 license: _uhttps://creativecommons.org/licenses/by-nc/4.0 _uhttps://www.degruyter.com/dg/page/open-access-policy
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)
650		0	_aModernism (Literature) _zRussia.
650		0	_aMusic and literature.
650		0	_aRussian poetry _y20th century _xHistory and criticism.
650		7	_aLITERARY CRITICISM / Russian & Former Soviet Union. _2bisacsh
700	1		_aHughes, Robert P., _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt.
700	1		_aKoster, Thomas A., _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt.
700	1		_aTaruskin, Richard, _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt.
773	0	8	_iTitle is part of eBook package: _dDe Gruyter _tASP eBook Package Backlist 2008-2015 _z9783110688146
856	4	0	_uhttps://doi.org/10.1515/9781618116765 _zOpen Access
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9781618116765.jpg
912			_a978-3-11-068814-6 ASP eBook Package Backlist 2008-2015 _c2008 _d2015
912			_aGBV-deGruyter-alles
912			_aZDB-23-GOA
999			_c534838 _d534836