000 03622nam a22005775i 4500
001 9783110402100
003 DE-B1597
005 20200803184527.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 190615s2014 pl fo d z eng d
020 _a9783110402100
024 7 _a10.2478/9783110402100
_2doi
035 _a(DE-B1597)445476
035 _a(OCoLC)912309553
035 _a(OCoLC)979838818
035 _a(OCoLC)980223595
035 _a(OCoLC)987945195
035 _a(OCoLC)992518247
035 _a(OCoLC)999354273
040 _aDE-B1597
_beng
_cDE-B1597
_erda
041 0 _aeng
044 _apl
_cPL
072 7 _aDRA000000
_2bisacsh
072 7 _aLIT013000
_2bisacsh
100 1 _aTrenos, Helen,
_eauthor.
245 1 0 _aCreativity: the Actor in Performance /
_cHelen Trenos.
264 1 _aWarsaw ;
_aBerlin :
_bDe Gruyter Open Poland,
_c[2014]
264 4 _c©2014
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tList of CREATICS Exercises --
_tIntroduction --
_t1 Creativity and Acting --
_t2 What is Acting? --
_t3 Stanislavsky: Guru and Villain --
_t4 CREATICS: Performance-Oriented Training --
_tReferences --
_tIndex
506 0 _aOpen Access
_uhttps://purl.org/coar/access_right/c_abf2
_funrestricted online access
_2star
520 _aCreativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.
538 _aMode of access: Internet via World Wide Web.
540 _aThis eBook is made available Open Access. Unless otherwise specified individually in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:
_uhttps://creativecommons.org/licenses/by-nc-nd/3.0
_uhttps://www.degruyter.com/dg/page/open-access-policy
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
650 0 _aArts in general.
650 4 _aStage-acting, creativity, performing.
650 7 _aDRAMA / General.
_2bisacsh
776 0 _cEPUB
_z9783110427387
776 0 _cprint
_z9783110401967
856 4 0 _uhttps://doi.org/10.2478/9783110402100
_zOpen Access
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9783110402100.jpg
912 _aGBV-deGruyter-alles
912 _aZDB-23-GOA
999 _c535092
_d535090