000			04059nam a22006255i 4500
001			9783110617580
003			DE-B1597
005			20200803184538.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			190723s2018 gw fo d z eng d
020			_a9783110617580
024	7		_a10.1515/9783110617580 _2doi
035			_a(DE-B1597)500009
035			_a(OCoLC)1076476178
040			_aDE-B1597 _beng _cDE-B1597 _erda
041	0		_aeng
044			_agw _cDE
050		4	_aPQ9698.13.A6525 _bY87 2019eb
072		7	_aLIT004280 _2bisacsh
082	0	4	_a869.342 _223
100	1		_aYurgel, Caio, _eauthor.
245	1	0	_aLandscape's Revenge : _bThe ecology of failure in Robert Walser and Bernardo Carvalho / _cCaio Yurgel.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2018]
264		4	_c©2019
300			_a1 online resource (264 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aLatin American Literatures in the World / Literaturas Latinoamericanas en el Mundo ; _v2
502			_aDissertation _cFreie Universität Berlin _d2016.
505	0	0	_tFrontmatter -- _tAcknowledgement -- _tContents -- _t1. Introduction -- _t2. Literature review: Landscape's revenge -- _t3. From the unreal to the apocalypse: The landscape as a function of language and narrative in Walser and Carvalho -- _t4. The disappearing act: Moving towards the margins -- _t5. How to do things with fire: The desert as landscape's final revenge and as the culmination of Walser's and Carvalho's literary projects -- _t6. The desert for conclusion -- _tReferences
506	0		_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star
520			_aLandscape, as it appears and is described throughout the works of Bernardo Carvalho and Robert Walser, provides an excellent-yet virtually unexplored-pathway to the authors' literary projects. The landscape functions here as a synthetic and unifying figure that triggers, at first, through the analysis of its description per se, the main and most evident elements of the authors' works. However, when sustained as a methodological figure beyond the scope of its own description, the landscape soon reveals a darker, far more fascinating and far less explored side of the authors' oeuvres: a vengeful, seemingly defeatist resentment against the status quo, which gives way to the more latent and biting elements of the authors' prose, such as irony, the unheimlich, an anti-heroic agenda, the apocalyptic aesthetics of a disaster-prone fictional world, as well as an understanding of history and literature through the figures of failure and marginality. By drawing from diverse critical traditions from Latin-America and Europe, this comparative text seeks to unravel, in all of its complexity and scope, the fictional stage upon which Walser's and Carvalho's characters narrate, with their dying breath, a world that is slowly undoing itself.
538			_aMode of access: Internet via World Wide Web.
540			_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0 _uhttps://www.degruyter.com/dg/page/open-access-policy
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
650		4	_a20th-century Realism.
650		4	_aAnti-heroes.
650		4	_aAntihelden.
650		4	_aLandscape.
650		4	_aLandschaft.
650		4	_aRealismus.
650		4	_aRomanticism.
650		4	_aRomantik.
650		7	_aLITERARY CRITICISM / European / Spanish & Portuguese. _2bisacsh
776	0		_cEPUB _z9783110617665
776	0		_cprint _z9783110617573
856	4	0	_uhttps://doi.org/10.1515/9783110617580 _zOpen Access
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9783110617580.jpg
912			_aGBV-deGruyter-alles
912			_aZDB-23-GOA
999			_c535480 _d535478