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008 191126s2019 ne fo d z eng d
020 _a9789048535538
024 7 _a10.1515/9789048535538
_2doi
035 _a(DE-B1597)539930
035 _a(OCoLC)1124678462
040 _aDE-B1597
_beng
_cDE-B1597
_erda
041 0 _aeng
044 _ane
_cNL
072 7 _aBUS000000
_2bisacsh
245 0 0 _aBoredom, Shanzhai, and Digitisation in the Time of Creative China /
_cYiu Fai Chow, Jeroen de Kloet, Lena Scheen.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource (288 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aAsian Visual Cultures
505 0 0 _tFrontmatter --
_tTable of Contents --
_tAcknowledgments --
_tI. Introduction: We Must Create? /
_rScheen, Lena / Fai, Chow Yiu / Kloet, Jeroen de --
_tII. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity /
_rWilf, Eitan --
_tSection 1: Boredom --
_tEssays --
_t1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective /
_rCoppoolse, Anneke --
_t1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge /
_rCuiyan, Wen --
_tInterlocuting --
_t1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism /
_rPeeren, Esther --
_t1.4 Boredom and Creativity in the Era of Accelerated Living /
_rLindner, Christoph --
_tNotes from the Field --
_t1.5 Evaporating Ennui Water Calligraphy in Beijing /
_rVermeeren, Laura --
_t1.6 Male Cinderella on the Small Screen in mainland China /
_rHao, Li --
_tIn Dialogue --
_t1.7 'Performativity' in the Age of Banality /
_rShing, Kung Chi / Ng, Kingsley / Shan, Lo Yin --
_tSection 2: Shanzhai --
_tEssays --
_t2.1 New Productive Culture Shanzhai or Second Degree of Creation? /
_rYin, Yiyi / Fung, Anthony --
_t2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen' /
_rHo, Louis --
_t2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective /
_rYuefan, Xiao --
_tInterlocuting --
_t2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products /
_rScheen, Lena --
_t2.5 Shanzhai = Creativity, Creativity = Shanzhai /
_rLandsberger, Stefan --
_tNotes from the Field --
_t2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education /
_rFan, Feng --
_t2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners? /
_rNauta, Arjen --
_tIn Dialogue --
_t2.8 Two sides of SZ (Shanzhai & Shenzhen) /
_rChunru, Deng / Dai, Dai / Shan, Lo Yin --
_tSection 3: Digitisation --
_tEssay --
_t3.1 Creativity, Affordances, and Chinese Traditional Culture /
_rKeane, Michael --
_tInterlocuting --
_t3.2 Digital Payment, Vernacular Creativity, and Governmentality /
_rSiyu, Chen --
_t3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products /
_rGuohua, Zeng / Guohua, Zeng --
_tNotes from the Field --
_t3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails /
_rDeng, Zoénie Liwen --
_t3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016 /
_rParry, Rowan --
_tIn Dialogue --
_t3.6 Digitisation with (in/out) Borders /
_rLeung, Isaac / Fong, Janet / Shan, Lo Yin --
_tIndex
506 0 _aOpen Access
_uhttps://purl.org/coar/access_right/c_abf2
_funrestricted online access
_2star
520 _aWith its emergence as a global power, China aspires to transform from "made in China" to "created in China". Mobilised as a crucial source for solid growth and "soft power," creativity has become part of the new China Dream. This anthology engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake stuffs challenge notions of the original and authentic? Which spaces for expressions and contestations has China's fast-developing digital world of Weixin, Taobao, Youku and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents and field notes, from thinkers, researchers, practitioners and policy-makers, contribute to explore, examine and problematize what is going on in China now, ultimately to tease out its implication to our understanding of "creativity".
538 _aMode of access: Internet via World Wide Web.
540 _aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license:
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
650 7 _aBUSINESS & ECONOMICS / General.
_2bisacsh
700 1 _aChow, Yiu Fai,
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
700 1 _aScheen, Lena,
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
700 1 _ade Kloet, Jeroen,
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
773 0 8 _iTitle is part of eBook package:
_dDe Gruyter
_tAUP eBook Package 2019
_z9783110661521
856 4 0 _uhttps://doi.org/10.1515/9789048535538
_zOpen Access
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9789048535538.jpg
912 _a978-3-11-066152-1 AUP eBook Package 2019
_b2019
912 _aGBV-deGruyter-alles
912 _aZDB-23-GOA
999 _c537323
_d537321