000			03794cam a2200529Ia 4500
001			ocn123125259
003			Ge_NSL
005			20150315092226.0
006			m o d
007			cr cnu---unuuu
008			070416s2005 ctua ob 001 0 eng d
016	7		_z013179653 _2Uk
020			_a9780300128031 (electronic bk.)
020			_a0300128037 (electronic bk.)
020			_a9780300106749 (alk. paper)
020			_a0300106742 (alk. paper)
020			_a1281729930
020			_a9781281729934
035			_a(OCoLC)123125259 _z(OCoLC)154695089 _z(OCoLC)191935669 _z(OCoLC)474166006 _z(OCoLC)488450044 _z(OCoLC)614963815 _z(OCoLC)648180440 _z(OCoLC)722550441 _z(OCoLC)815684369
040			_aN$T _beng _cN$T _dYDXCP _dOCLCQ _dIDEBK _dOCLCQ _dCOO _dDKDLA _dADU _dE7B _dNNM _dOCLCO
041			_aeng
049			_aGLAA
050		4	_aPN1995.9.C553 _bT53 2005eb
072		7	_aPER _x004040 _2bisacsh
072		7	_aAPF _2bicssc
080			_a791.43
082	0	4	_a791.43/68780922 _222
100	1		_aTibbetts, John C. _924752
245	1	0	_aComposers in the movies _h[electronic resource] : _bstudies in musical biography / _cJohn C. Tibbetts ; foreword by Simon Callow.
260			_aNew Haven : _bYale University Press, _cc2005.
300			_a1 online resource (xvi, 365 p.) : _bill.
504			_aIncludes bibliographical references (p. 347-353) and index.
505	0		_aThe classical style: composers in the studio era -- A song remembered: Frédéric Chopin goes to war -- The new Tin Pan Alley: Hollywood looks at American popular songwriters -- "Just an innocent bystander": the composer films of Ken Russell -- "A long, dark coda into the night": the composer films of Tony Palmer -- Revisionist portraits: a medley of recent composer biopics.
520			_aEven before movies had sound, filmmakers dramatised the lives of composers. Movie biographies - or biopics - have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels. "Every film buff will want to consult this book, as will musicologists and students in film and communication studies." Michael Saffle, Virginia Polytechnic Institute and State University.
650		0	_aComposers in motion pictures. _924753
650		7	_aPERFORMING ARTS _xFilm & Video _xReference. _2bisacsh _921973
650	1	7	_aFilmmuziek. _2gtt _924754
650	1	7	_aFilms. _2gtt
650	1	7	_aComponisten. _2gtt _923985
650		4	_aElectronic books.
653			_aკინომუსიკა-- _aკინოში მოღვაწე კომპოზიტორები
655		4	_aElectronic books.
776	0	8	_iPrint version: _aTibbetts, John C. _tComposers in the movies. _dNew Haven : Yale University Press, c2005 _z0300106742 _z9780300106749 _w(DLC) 2005004689 _w(OCoLC)57731003
856	4	0	_3EBSCOhost _uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=187665
942			_2udc _cER
952			_70 _40 _00 _2udc _bCPL _yER _10 _o791.43 _d2013-07-30 _aCPL
999			_c9896 _d9896