Klingende Eklats : (Record no. 537083)

000 -LEADER
fixed length control field 04129nam a22007455i 4500
001 - CONTROL NUMBER
control field 9783839439838
003 - CONTROL NUMBER IDENTIFIER
control field DE-B1597
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200803184621.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180119s2018 gw fo d z ger d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783839439838
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.14361/9783839439838
Source of number or code doi
035 ## - SYSTEM CONTROL NUMBER
System control number (DE-B1597)487067
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1024038240
040 ## - CATALOGING SOURCE
Original cataloging agency DE-B1597
Language of cataloging eng
Transcribing agency DE-B1597
Description conventions rda
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title ger
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE
MARC country code gw
ISO country code DE
072 #7 - SUBJECT CATEGORY CODE
Subject category code HIS054000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code MUS020000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code SOC052000
Source bisacsh
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Schürmer, Anna,
Relator term author.
245 10 - TITLE STATEMENT
Title Klingende Eklats :
Remainder of title Skandal und Neue Musik /
Statement of responsibility, etc Anna Schürmer.
263 ## - PROJECTED PUBLICATION DATE
Projected publication date 201804
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R)
Place of production, publication, distribution, manufacture Bielefeld :
Name of producer, publisher, distributor, manufacturer transcript-Verlag,
Date of production, publication, distribution, manufacture, or copyright notice [2018]
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice (R)
Date of production, publication, distribution, manufacture, or copyright notice ©2018
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource
336 ## - Content Type (R)
Content type term (R) text
Content type code (R) txt
Source (NR) rdacontent
337 ## - Media Type (R)
Media type term (R) computer
Media type code (R) c
Source (NR) rdamedia
338 ## - Carrier Type (R)
Carrier type term (R) online resource
Carrier type code (R) cr
Source (NR) rdacarrier
347 ## -
-- text file
-- PDF
-- rda
490 0# - SERIES STATEMENT
Series statement Histoire ;
Volume number/sequential designation 118
505 00 - FORMATTED CONTENTS NOTE
Title Frontmatter --
-- Inhalt --
-- KLINGENDE HISTORIOGRAPHIE (Einleitung) --
-- REFERENZEN und CHIFFREN (Exposition) --
-- AGON und SKANDAL (Durchführung #1) --
-- ELEKTRONISCHE EKLATANZ (Durchführung #2) --
-- TRANSKULTURELLE TRANSFERS (Durchführung #3) --
-- QUERSTAND von KUNST und POLITIK (Durchführung #4) --
-- ANALYTISCHE KONTRAPUNKTE (Reprise) --
-- BIBLIOGRAPHIE
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Uniform Resource Identifier https://purl.org/coar/access_right/c_abf2
Standardized terminology for access restriction unrestricted online access
Source of term star
520 ## - SUMMARY, ETC.
Summary, etc Der klingende Eklat ist mehr als der Pfeffer musikhistorischer Narrationen. Vielmehr ist der Musikskandal ein kultureller Störfall und ein ästhetisches Ereignis. Er überschreitet nicht nur die künstlerischen und moralischen Grenzen des guten Tons, sondern greift zudem gesellschaftliche Normen auf und an.Anna Schürmer analysiert diese Verschränkung und nutzt das interdisziplinäre Potential, das der klingende Eklat als konfliktiver Seismograf sozialer Problem- wie ästhetischer Experimentierfelder bereithält. An der Schnittstelle von Geschichts- und Musikwissenschaften fokussiert die medienkulturwissenschaftlich inspirierte Studie den prismatischen Gegenstand des klingenden Eklats vor dem akustischen Hintergrund nicht nur der musikalischen Moderne.
520 ## - SUMMARY, ETC.
Summary, etc Sound éclats push good sound (and good manners) to the limit; they serve as seismographs of social problems as well as aesthetic experiments, sounding out the acoustic dimensions of modern day.
538 ## - SYSTEM DETAILS NOTE
System details note Mode of access: Internet via World Wide Web.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction This eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license:
Uniform Resource Identifier https://creativecommons.org/licenses/by-nc-nd/3.0
-- https://www.degruyter.com/dg/page/open-access-policy
546 ## - LANGUAGE NOTE
Language note In German.
588 0# -
-- Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018)
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Avantgarde.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Eklat.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Ereignis.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Geschichte.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Geschichtswissenschaft.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Klang.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Kultur.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Kulturgeschichte.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Medien.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Mediengeschichte.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Musik.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Musikgeschichte.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Musikwissenschaft.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Neue Musik.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Occurrence,New Music,Avant-garde,Postmodernism,Media,Sound,Culture,History,Cultural History,Music,Musicology,Media History,Music History.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Postmoderne.
773 08 - HOST ITEM ENTRY
Display text Title is part of eBook package:
Place, publisher, and date of publication De Gruyter
Title EBOOK PACKAGE COMPLETE 2018
International Standard Book Number 9783110603255
Other item identifier ZDB-23-DGG
773 08 - HOST ITEM ENTRY
Display text Title is part of eBook package:
Place, publisher, and date of publication De Gruyter
Title EBOOK PACKAGE History 2018
International Standard Book Number 9783110603149
Other item identifier ZDB-23-DEG
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier https://doi.org/10.14361/9783839439838
Public note Open Access
856 42 - ELECTRONIC LOCATION AND ACCESS
Materials specified Cover
Uniform Resource Identifier https://www.degruyter.com/cover/covers/9783839439838.jpg
912 ## -
-- GBV-deGruyter-alles
912 ## -
-- ZDB-23-DEG
-- 2018
912 ## -
-- ZDB-23-DGG
-- 2017
912 ## -
-- ZDB-23-GOA

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